Crafting Compelling Narratives: Insights for aspiring writers, directors, filmmakers from Writer Director Harshavardhan Kulkarni

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Crafting Compelling Narratives: Insights for aspiring writers, directors, filmmakers from Writer Director

Expert: Harshavardhan Kulkarni

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Get set to have a candid conversation with an expert, 🎥 Director / ✍🏻Writer Harshavardhan Kulkarni, as he shares insights with writers, filmmakers and discusses the art of movie making and direction.

Discusses various aspects related to filmmaking, script writing, direction techniques, story structuring, navigating in the industry and much more.

Don’t miss out on this amazing opportunity to learn from expert.

  • Crafting Compelling Characters: Learn techniques for creating interesting characters that make stories more exciting.
  • ⁠Mastering Story Structure: Explore how to organize stories effectively to keep people interested throughout.
  • Navigating the Industry Landscape: Get tips on how to succeed in the industry, like pitching projects, securing funding, and finding ways to distribute your work.

Harshavardhan Kulkarni

Writer- Director
Meet Harshavardhan Kulkarni, a dynamic Writer-Director whose journey from the prestigious FTII diploma to nationwide recognition has been nothing short of inspiring. Whether crafting a National Award-winning travelogue to showcase the scenic Konkan Coast or penning the screenplay for the hit rom-com “Hasee Toh Phasee,” Harsh has left an indelible mark on Indian cinema. His cult-classic film “Hunterrr” delved into the complexities of young men’s desires with finesse. With the groundbreaking “Badhaai Do,” he clinched six Filmfare Awards, including Best Film – Critics and Best Screenplay. Harsh is not just a filmmaker but a storyteller extraordinaire, weaving captivating narratives for brands and big-screen alike.
  1. 41:04 – 43:10: How does a director choose during online auditions?
  2. 43:35 – 45:00: Useful techniques for making short films
  3. 45:20 – 47:10: Writing for personal satisfaction vs. other perspectives in writing
  4. 47:28 – 49:23:(a) Advice for people who didn’t attend film school on how to start (b) Recommendations for beginning the art of writing
  5. 49:38 – 52:32: Recommendations for writing a compelling character
  6. 53:30 – 54:48: Notable filmmakers in regional areas
  7. 55:10 – 58:10: Pitching work to production houses as a CG artist with show reels
  8. 58:27 – 1:03:14: Discussion of previously addressed questions
  9. 1:03:26 – 1:06:50: CININFO’s new courses on writing by filmmakers from an academic perspective
  10. 1:06:27 – 1:12:50: Entry of new filmmakers into the industry with low budgets
  11. 1:13:12 – 1:13:54: Are directors intimidated by actors who are also directors?
  12. 1:14:06 – 1:15:37: How to gain recognition in Tollywood/Bollywood
  13. 1:15:42 – 1:16:00: Announcement of a session by C.G. by CININFO
  14. 1:16:20 – 1:17:43: Market forces influencing unique concepts dealing with gray social structures and compromises made
  15. 1:17:58 – 1:23:10: Importance of telling unique concepts
  16. 1:23:49 – 1:26:50: Process of pitching your work
  17. 1:27:37 – 1:31:20: Dealing with creative producers and generating ideas
  18. 1:31:40 – 1:38:06: Director’s views on the questionnaire and CININFO’s work

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Contents

  1. 00:15 – 02:37: Introduction of Harshvardhan
  2. 02:48 – 04:38: Starting a company at an early age
  3. 04:52 – 06:39: CININFO AIM – Building a bridge for new early career professionals
  4. 07:40 – 08:00: Pursuing a combination of writing and directing
  5. 08:27 – 09:36: The director is the captain of the ship and needs to know everything
  6. 09:41 – 11:35: Screenplay as a technical art
  7. 11:41 – 12:00: Rishikesh Mukherjee’s excellence in editing despite not writing his own plays
  8. 12:30 – 14:45: Actors transitioning into directors
  9. 14:36 – 15:26: Challenges in the complex process of filmmaking
  10. 15:31 – 20:05: The biggest challenge in filmmaking is writing – telling engaging stories
  11. 20:11 – 21:00: Discussing the biopic “Gandhi”
  12. 21:18 – 22:58: Working on “Hunter” – a thriller structure; importance of the first movie
  13. 23:05 – 26:31: Emphasizing strong, compelling content, experimenting, and projecting themes differently
  14. 26:43 – 27:36: Skills necessary for entering filmmaking and the difficulties without them
  15. 27:45 – 30:33: The necessity of loving what you do in filmmaking
  16. 30:44 – 31:44: Creating memorable and compelling characters – the process of sketching characters
  17. 32:00 – 38:30: Two approaches to filmmaking: living in the film world vs. drawing towards real characters
  18. 38:58 – 40:21: Recommended books

Notable work